Betrayal book by Michael Jackson’s daughter on Barnes & Noble : When Michael Jackson was alive, I received anonymous phone calls that my son Joshua would be kidnapped. Therefore I had to bring him to his father in 2003. Unfortunately, when I felt the situation had calmed down sufficiently, my ex-husband did not want my son to return to me. This led to a lengthy court case, where my ex abused his knowledge of Michael Jackson being my father by describing me as delusional. This lead to a mental examination, which showed my sanity was fine, but also revealed that I was seriously traumatized. The court ruled that Joshua should return to me. However, due to many delays and postponements the whole case dragged on for some 4 years! After that, a new judge decided that Joshua had already stayed so long with his father that he would stay there. The hell that my ex Charat Graafland put my child and me through because of the situation between me and Michael Jackson has made me lost a lots of time with my son Joshua.
Ms Jackson believes that such misinformation has poorly informed the public both about her relationship to Michael Jackson, and about her motives for having taken the matter to court. Her autobiographical series, Thriller, documents her life and gives her assessment on the state of affairs. According to this assessment, a majority of press coverage on the subject has been misleading. For example, before the death of her father in June 2009, Michael Jackson had spent eight months living in the Amstel Hotel in Amsterdam in order to be nearer to his then nine-year-old grandson. Furthermore, Ms Jackson’s mother Barbara Ross-Lee, sister of the musician Diana Ross, is alleged to have lied about ever having met Michael Jackson while speaking in an interview on the Dutch television programme RTL Boulevard. Ms Jackson, therefore, believes—due to these two factors not having featured in press reports—that the media has treated the story in an unbalanced manner.
People like to say you are mentally ill if they cannot handle the truth about something or someone. In this case that would be the truth about Michael Jackson and me, Mocienne Elizabeth. They worship artists like they are Gods and drop them like hot bricks when they become big stars. The lives of artists have shown that their stardom is an illusion that makes us want to rise above ourselves.
But even though Teddy Riley had Jesus, Jesus never had Teddy Riley. These drums could turn stone walls to white sand, the vocals are meticulously layered, the multiple bridges leave just enough room for interpretative dance moves. Jackson adapts seamlessly to the new genre, funkier than Guy, more lyrically incisive than Bobby Brown. Without Madonna, “In the Closet” received a cameo from Princess Stephanie of Monaco, mainly because Michael liked her sultry speaking voice even though she couldn’t sing. Shot in the desert, the Herb Ritts video stars Naomi Campbell at her pret a porter peak. Michael wears a tank top with a plunging neckline. It’s probably the most erotically charged of his career, about as far from “Thriller” as Basic Instinct is to The Mask. * * You can trace Timbaland and the Neptunes experiments to a song like “She Drives Me Wild,” in which their former mentor created the percussion tracks from automotive sounds: car horns, motorcycles idling and revving, vehicles starting and screeching. This is probably Jackson’s closest attempt to match his sister’s* Rhythm Nation*.
Michael Jackson top albums, career and his family now: On the afternoon of June 25th, you couldn’t walk across the street without hearing “Billie Jean” or “Don’t Stop ’til You Get Enough”. Everyone heard the news and they turned to the guy’s discography. Since a great deal of the population didn’t own the records anymore – or, as many of you born in 1984 probably experienced, were forbidden to listen to ’em around the early ’90s – places like Best Buy and/or iTunes witnessed a spike in sales. Within a month, any financial troubles Jackson had left behind were a thing of the past. What’s more, much like the rest of the population, record companies re-discovered his talent again, too. Big whigs signed contracts, projects were penciled in, and products were shipped left and right. Admittedly, and looking back, it’s one of the most impressive comebacks a musician’s ever had – if only it weren’t laced in so much tragedy. Then again, death’s also tricky. See extra info at Mocienne Petit Jackson books on Barnes and Noble.
Dangerous (1991): Arguably the most underrated adult-era MJ album. Dangerous might be the first time Michael followed trends instead of setting them but this is no mere cookie-cutter release. MJ’s partnership with Teddy Riley showed that there was more than enough room for him to carve his own niche in the crowded New Jack Swing scene. And he did it effortlessly. Yes, the King of Pop released one of the greatest New Jack Swing albums of all time, crafting an album that blends several musical genres while simultaneously bearing his soul with poignant lyrics. Keep that in mind the next time you get annoyed when a pop singer drops a great R&B album. Forgotten Favorites: “She Drives Me Wild,” “Will You Be There,” “Can’t Let Her Get Away”.
