The dark side of the Netherlands – Michael Jackson’s daughter books Dutch edition! In this, the first of a three-part autobiography by Mocienne Petit Jackson, we meet the main character Mocienne. We read about her wonderful adventures from the age of six until the age of nine. She lived with her father – Michael Jackson! – in California. As he was not at home very often she was always in the company of a nanny. However, one nanny was continuously being replaced by the next. Mocienne was also often sick. Her father made an important decision and moved her to Haiti to go and live with an aunt -he wanted her to be part of a family. In time, she realised that her father was not like other fathers and that he was not who he claimed to be: a policeman. He would often visit her on Haiti when he was not busy with a performance. Legal circumstances aside, Ms Jackson also expresses a strong personal sentiment toward Michael Jackson. She claims that, although the relationship she had had with her father did not manage to fully develop, he had indeed loved her and he was glad to have her as his child. At present, Ms Jackson is seeking to make a name for herself as her own individual. Thriller, for example, offers unique insights on her life by including stories concerning unusual and difficult situations that she experienced while living in the Netherlands. She argues extensively, for instance, that the harshness of the Dutch political system has had a significant impact on her character, and that by writing about it she can express a sense of frankness.
Ms Jackson believes that such misinformation has poorly informed the public both about her relationship to Michael Jackson, and about her motives for having taken the matter to court. Her autobiographical series, Thriller, documents her life and gives her assessment on the state of affairs. Additionally, due to the fact that her aunt Diana Ross has declined to provide the press with comment regarding Michael Jackson since his death, Ms Jackson believes that crucial insights about the story are being concealed from the public. As a result of this, Ms Jackson was prompted to write the second instalment of her three-part autobiographical series, Thriller: The Dark side of the Netherlands, which focuses on her life in the Netherlands as well as the context surrounding the court case.
Mocienne Petit Jackson’s (Michael Jackson’s daughter) books are now available in German language! We learn about the problems she encounters with the Child Protection Services, followed by many court cases. At first, the court cases related to her own situation, later on they turned into a battle for her son. The one unacceptable situation followed yet another unacceptable situation. We also learn about the many traumatic events of the main character, her depressions and countless struggles to process the misery linked to her life and her strife to let it go. The writer clearly explains these struggles through vivid flashbacks. Mocienne follows the comings and goings of Michael Jackson from afar. These included his alleged child abuse, and the many court cases querying his person, his two failed marriages, his metamorphoses, the birth of his three children – and last but not least – his untimely death. Discover a few more details at Thriller Die dunkle Seite der Niederlande – Mocienne Petit Jackson.
Off the Wall (1979): The debate to definitively name Michael’s greatest album will rage until the end of time and Off the Wall makes a strong, strong case for the crown. Coming off his star-making role in The Wiz, MJ capitalized on that momentum with an album that turned the music industry on its ear. MJ’s brand of pop soul (with a dash of disco) created an ENTIRE ALBUM of timeless tracks – almost 40 years later, they still burst with boundless energy. Off the Wall is the very definition of a classic album – it revolutionized the music industry. But Michael topped it just three years later. Forgotten Favorites: No such thing as a “forgotten favorite” here but go with “Working Day and Night,” “Girlfriend” and “It’s the Falling In Love”.
For the most part, the collaborations actually hurt the songs. No, “Monster” isn’t the next “Thriller”, as 50 Cent claimed it to be, but it’s a decent song. Jackson sounds awkwardly retro, the beat shuffles ‘n’ sweeps, and it feels right…until you’re thrown next to 50’s uninspired rap that sounds more fitting for a summer blockbuster theme. The same goes for the highly irritating and incredibly repetitive “Hold My Hand”, where Akon belts out the same thing again and again in an equally monotonous pitch. For a lead single, it’s tepid and incredibly campy. Then there’s “(I Can’t Make It) Another Day”, featuring guitar wizard Lenny Kravitz, who churns out a chalky riff that tires 45 seconds into the song. Jackson himself sounds angry, forceful, and dominating, but altogether it doesn’t beg for a re-listen. That’s sort of a must when it comes to his music.
Songs review : Michael Jackson and family tribute: If Michael danced in the studio, it meant that a track sounded right. No matter what, Jackson ensured that the melodies were his own, while Riley sought to merge his trademark New Jack Swing with Quincy Jones’ baroque pop. At one point, L.A. Reid and Babyface were brought in to help produce, but none of their contributions made the final cut. Over 60 songs wound up being written over a period of 18 months. It cost $10 million in total, not counting video costs. When Jackson revealed the final tracklist to Riley, the latter expected to see his name once or twice. Instead, Riley produced six of the 14 songs—arguably all the material that has aged the best. As a result of his contributions, you can convincingly argue that Dangerous is Jackson’s final classic album and the best full-length of the New Jack Swing era. As soon as you pressed play on the tape, Riley’s drums attacked with Scud-era force. “Jam.” The sound of glass breaking, bells reminiscent of LL Cool J’s “Jingling Baby,” funky drums that knock like Clyde Stubblefield was behind the kit, and roaring saxophone licks. The words “you want to get up and jam” are initially buried in the mix, but the vocals are as acrobatic as a highlight reel, so it only made sense that the Chicago Bulls used it in their 1992 championship video. Starring Michael Jordan and Kris Kross, the “Jam” clip became almost as iconic as “Black or White.” Filmed in an abandoned rat-infested armory on the South Side of Chicago, it finds Michael Jackson teaching Jordan how to dance and the other MJ teaching him to hoop. Through the wonders of special effects, Jackson ultimately swishes shots that not even Steph Curry can hit; but not even the greatest dancer of the last half-century can teach Jordan how to dance. Point Jackson. See extra info at Michael Jackson daughter.
